In the presence of trees


It has been a wet, autumnal day. I set off this morning with my dogs through a local woodland. It was dark and dripping raindrops which splattered on the leaf mold and moss filled floor. I could see beauty in tiny pools of water collected in large leaves which reflected the tree canopy and the charcoal sky: the woodland creaked and spoke to me of the year so far. The ancient trees, bark toughened, branches gnarled, split and hanging low over the path. The people I met were enjoying their rainy walks too, we were all out there enjoying the elements, exploring our day.

Later this afternoon, I left my husband decorating and headed down the garden to my Studio. I knew I would paint one of the old trees I’d seen and love in all weathers. I’m not sure if it’s finished yet. Tomorrow I will see my watercolour in the morning light! The watercolour sketch on the right I did a while ago. Another oak tree I see regularly and enjoy its presence.

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Stag in a magical woodland


I have been walking alot through woodlands lately, enjoying the amazing light filtering through the trees and the warm copper hues of the fallen leaves. A couple of times I have spotted deer running startled by the dogs. I love them, they are magical creatures and have inspired me to draw and paint this scene of the stag in a magical woodland. I hope you enjoy it. Have a great weekend. 🙂

Collagraph- ‘Watching’


My collagraph plate was  inspired by one of the dead, old oak trees that I  see on my walks through the Bedfordshire countryside: always silhouetted against the sky is one or more crows and ravens, congregating on the branches watching over the fields.

I used teased out string glued onto the mountboard to create tree bark and bird feathers. I created the branches out of textured wallpaper and made marks in it with a knife.

After the plate was varnished and dried with a hairdryer, it was time to ink up the plate using brushes. I wanted to create an atmospheric moonlit effect so I combined blues and used plenty of extender.

I hope you like the result. 🙂


The printed plate was hand pulled through an etching press. I used damp watercolour paper. Every collagraph print is different. I achieved a ghost print which was much lighter too.