My collagraph plate was inspired by one of the dead, old oak trees that I see on my walks through the Bedfordshire countryside: always silhouetted against the sky is one or more crows and ravens, congregating on the branches watching over the fields.
I used teased out string glued onto the mountboard to create tree bark and bird feathers. I created the branches out of textured wallpaper and made marks in it with a knife.
After the plate was varnished and dried with a hairdryer, it was time to ink up the plate using brushes. I wanted to create an atmospheric moonlit effect so I combined blues and used plenty of extender.
I hope you like the result. 🙂
To get a solar print, I drew my lovely seed heads from my garden, onto acetate with permanent black ink. The drawing is then transferred onto a light sensitive plate which is then exposed to UV light and then developed through tap water. It is very experimental as you try different exposures to get different effects. Once the plate has been dried in sunlight then it can be run through the press.
This one is my favourite. Can you find the fairy? This is my Arthur Rackham style ‘ghost’ solar print. The first print was much bolder so I decided to run the plate through the press again and I just love the antique effect.
Both of these prints were done at Susan Erskine- Jones’ s workshop. Thanks to Susan for sharing her skills and experience, it was a most enjoyable day.